Vol 9 No 2 (2010)
Russian Sociological Review
Russian Sociological Review
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Vol 9 No 2 (2010)
Published March 10, 2010
Full Issue
Полная версия (Русский)
Book reviews
Дарья Хлевнюк
112-117
Bernard Giesen. Triumph and Trauma
PDF (Русский)
Наиль Фархатдинов
118-123
“Culture and Method.” One More Product of Cultural Sociological Factory
PDF (Русский)
Наталия Комарова
124-133
Myth about Mediatized Center: Post-Durkheimian Approach in the Media Analysis
PDF (Русский)
Review essays
Наиль Фархатдинов
55-74
The Autonomy of Painting: From the Field of Art Production to the Picture’s Frame
PDF (Русский)
Papers and essays
Мария Деева
134-154
From Individual to Shared Affect: Post-Durkheimian Tradition in the Sociology of Emotions
PDF (Русский)
Дмитрий Куракин
155-178
Editor’s Afterword: The Strong Program in Cultural Sociology: Commentaries on Theory, Methodology, and History
PDF (Русский)
Translations
Джеффри Александер; Дмитрий Куракин
5-10
On the Intellectual Origins of “Strong Program”
PDF (Русский)
Джеффри Александер, Филипп Смит; Светлана Джакупова
11-30
Strong Program in Cultural Sociology
PDF (Русский)
Клиффорд Гирц; Даниил Аронсон; Андрей Корбут (Translation Editor)
31-54
Art as a Cultural System
PDF (Русский)
Untitled section
Александр Филиппов
4-4
Editor's Introduction
PDF (Русский)
Джеффри Александер; Дмитрий Куракин
5-10
On the Intellectual Origins of “Strong Program”
PDF (Русский)
Джеффри Александер, Филипп Смит; Светлана Джакупова
11-30
Strong Program in Cultural Sociology
PDF (Русский)
Клиффорд Гирц; Даниил Аронсон; Андрей Корбут (Translation Editor)
31-54
Art as a Cultural System
PDF (Русский)
Наиль Фархатдинов
55-74
The Autonomy of Painting: From the Field of Art Production to the Picture’s Frame
PDF (Русский)
Екатерина Фень
75-80
Ron Eyerman. Toward a Meaningful Sociology of the Arts
PDF (Русский)
Наиль Фархатдинов
81-86
Robert W. Witkin. Chewing On Clement Greenberg: Abstractions and the Two Faces of Modernism
PDF (Русский)
Анна Чистякова
87-91
Julia Chi Zhang. The Meaning of Style: Postmodernism, Demystification, and Dissonance in Post-Tiananmen Chinese Avant-Garde Art
PDF (Русский)
Екатерина Грибова
92-98
Steve Sherwood. Seeker of the Sacred: A Late Durkheimian Theory of the Artist
PDF (Русский)
Анна Волик
99-105
Tia DeNora. Music as Agency in Beethoven’s Vienna
PDF (Русский)
Мария Поликашина
106-111
Lisa McCormick. Music as Social Performance
PDF (Русский)
Дарья Хлевнюк
112-117
Bernard Giesen. Triumph and Trauma
PDF (Русский)
Наиль Фархатдинов
118-123
“Culture and Method.” One More Product of Cultural Sociological Factory
PDF (Русский)
Наталия Комарова
124-133
Myth about Mediatized Center: Post-Durkheimian Approach in the Media Analysis
PDF (Русский)
Мария Деева
134-154
From Individual to Shared Affect: Post-Durkheimian Tradition in the Sociology of Emotions
PDF (Русский)
Дмитрий Куракин
155-178
Editor’s Afterword: The Strong Program in Cultural Sociology: Commentaries on Theory, Methodology, and History
PDF (Русский)
179-181
Abstracts
PDF (Русский)
Summaries
Екатерина Фень
75-80
Ron Eyerman. Toward a Meaningful Sociology of the Arts
PDF (Русский)
Наиль Фархатдинов
81-86
Robert W. Witkin. Chewing On Clement Greenberg: Abstractions and the Two Faces of Modernism
PDF (Русский)
Анна Чистякова
87-91
Julia Chi Zhang. The Meaning of Style: Postmodernism, Demystification, and Dissonance in Post-Tiananmen Chinese Avant-Garde Art
PDF (Русский)
Екатерина Грибова
92-98
Steve Sherwood. Seeker of the Sacred: A Late Durkheimian Theory of the Artist
PDF (Русский)
Анна Волик
99-105
Tia DeNora. Music as Agency in Beethoven’s Vienna
PDF (Русский)
Мария Поликашина
106-111
Lisa McCormick. Music as Social Performance
PDF (Русский)
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